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  • West Australian Ballet | Extra Ballet at the Quarry show added
    Classes For Schools For Ballet Students Great Leaps Community Groups Visit WAB FAQ s Support Individual Giving Our Donors Corporate Support Woodside Principal Partner Corporate Partners Ballet Centre WAB HQ Virtual Tour Public Programmes Venue Hire History Multimedia Photo Gallery Videos Publications Blog Shop Contact Us Blog 10 February Extra Ballet at the Quarry show added News Popular demand for Ballet at the Quarry leads to extra performance added After a sell out opening weekend and with very limited options for the remainder of the season West Australian Ballet has added an additional show to Ballet at the Quarry The extra performance will be added for Tuesday 25 February and go on sale from today making the season now 17 performances long The programme headlined by Edward Clug s Radio and Juliet with music by Radiohead has proved to be the company s most popular at the Quarry Amphitheatre to date Ballet at the Quarry runs until 1 March Tickets 39 65 Visit waballet com au or call Ticketmaster on 136 100 Search for Share this news article Events Calendar February 2016 M T W T F S S 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 1 2 3 4 5 6 Wed 10 Five By Night Ballet At The Quarry 8pm February 10 8 00 pm 10 00 pm Thu 11 Five By Night Ballet At The Quarry 8pm February 11 8 00 pm 10 00 pm Other recent articles Wesfarmers and WAB CEO Steven Roth Steps Down Merry Christmas from WAB Cinderella Community Matinee Ballet News Spring 2015 WHAT S ON WAB Calendar Five by Night Ballet at the Quarry Beauty the Beast Romeo and Juliet

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  • West Australian Ballet | Mercury, moving as one… WAB Season 2014 from Aurélien Scannella.
    participated in a number of international galas and festivals performing in various works such as Le Corsaire Gopak Variation Don Quixote Bahkti In the Middle Somewhat Elevated Giselle Swan Lake with his partner and wife Sandy Delasalle Since 2008 he has been a freelance international ballet master and rehearsal director working with companies such as Ballet Preljocaj Scapino Ballet National Ballet of Portugal Dutch National Ballet Ballet d Europe Béjart Ballet Lausanne Bordeaux Opera Ballet Lyon Opera Ballet Finnish National Ballet Royal Swedish Ballet Hong Kong Ballet Ballet du Rhin National Ballet of Estonia He has also taught master classes in Brussels Paris Rotterdam Cannes and Tokyo Emma Hack Emma Hack is an Adelaide based artist working in the unique medium of body paint installation and photography Exhibiting extensively throughout Australia since 1999 Emma s astounding artworks have since captured the attention of collectors and art lovers worldwide In 2013 Emma Hack achieved sell out status at Affordable Art Fair Hong Kong as well as hugely successful art fairs in Singapore Brussels Aspen The Hamptons and Milan Emma s most recent solo exhibitions in Hong Kong and Taipei achieved much press and fanfare Emma has received great acclaim for her refined body paint camouflage technique through a combination of painting on canvas body painting and studio based photography her work evokes a rich array of visual narrative and magical realism Best known for her Wallpaper series 2005 2010 in which she painstakingly camouflaged the human form by hand painting her models into the remarkable designs of the late Florence Broadhurst Emma Hack s diverse artwork collections draw inspiration from the unique Australian flora and fauna as well as Oriental influences Emma Hack s collaboration with Grammy award winning musician Gotye resulted in the iconic award winning music video for Somebody That I Used to Know which has been viewed by over 420 million people worldwide raising her profile in the US UK and Europe Emma Hack has exhibited at ART Sydney 2008 2009 2010 2011 ART Melbourne 2009 2010 2011 2012 and internationally at ART London 2011 ART Singapore 2011 2012 2013 and the Affordable Art Fairs New York 2011 2012 2013 Toronto 2011 2012 Mexico 2012 Amsterdam 2012 Stockholm 2012 Hamburg 2012 Milan 2013 Brussels 2013 Hong Kong 2013 Aspen 2013 The Hamptons 2012 2013 and Taipei 2013 Emma Hack is represented by galleries throughout Australia as well as London New York Singapore Taipei and Hong Kong Her work is held in numerous private and corporate collections globally Edward Clug Dancer and choreographer Edward Clug was born in 1973 in Romania From 1983 until 1991 he studied classical ballet at the National Ballet School in Cluj Napoca He joined the Ballet of Slovene National Theatre Maribor in 1991 as a soloist His first notable choreography was created in 1996 for the performance Babylon directed by Tomas Pandur Drama of Slovene National Theatre Maribor Clug s first full ballet Tango premiered at SNT in 1998 Continuing his relationship with the Slovene National Theater in 2003 he was appointed director of Maribor ballet He created Bachelorette for SNT in Ljubljana and Solo for two Chairs for the Ochi Ballet in Nagoya Radio Juliet choreographed in 2005 in Maribor later toured internationally In 2006 he created Architecture of Silence in partnership with the Slovene National Theaters in Maribor and Ljubljana with two choirs and two orchestras In 2007 he choreographed Sacre du temps for Danshuis Station Zuid in Tilburg the Netherlands followed by Pret a porter at the SNG Maribor 2008 4 Reasons for the National Ballet of Portugal 2009 and Pocket Concerto for Stuttgart Ballet 2009 In 2011 Clug collaborated with East West Theatre Company to create two new pieces Europe Today and Roses for Anne Teresa Football Stories Itzik Galili Tel Aviv born Itzik Galili was first introduced to dance through traditional Israeli folk dancing in his late teens Following a relatively short time of study in ballet and contemporary dance and showing typical headstrong temperament he presented himself at the Bat Dor Dance Company where we worked for 2 years before moving onto the Batsheva Dance Company In 1989 he attend the Gulbenkian International Course for Professional Composers and Choreographers in the UK In 1990 Double Time was created and Old Cartoon won the originality prize at the Gvanim Choreographic Competition In 1991 Galili moved to the Netherlands and formed his own project based company The Butterfly Effect won the Public Prize at the International Competition for Choreographers in Groningen in 1992 and in 1994 he won the Final Selection Culture Award Phillip Morris for exceptional talent and contribution to dance and culture in the Netherlands In 1997 he was nominated by the Ministry of Culture as Artistic Director of a newly founded and publicly supported dance company to be based in Groningen NND Galili Dance As well as creating for his own dancers Itzik has created for and worked with many other companies has collaborated on dance films for television and actively nurtures upcoming choreographic talent from within his company Jean Coralli Jean Coralli was born in Paris in 1779 He trained at the Paris Academie which is now the Paris Opera Coralli made his debut there in 1802 He danced and choreographed in Milan Lisbon and Marseille before returning to Paris in 1825 as choreographer for the Theatre de la Porte Saint Martin He was choreographer in residence at the Paris Academie where during the height of ballet s Romantic period he choreographed for such famous ballerinas as Fanny Elssler and Carlotta Grisi creator of the title role in Giselle Coralli also helped establish Elssler s popularity by including in several of his ballets the spectacular pas de caractere or theatricalized folk dances in which she excelled In addition to Giselle which he choreographed with Jules Perrot Coralli also choreographed such successful and frequently revived ballets as Le Diable Boiteux La Tarentule and La Peri Jules Perrot Jules Perrot was born in France in 1810 He studied

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  • West Australian Ballet | Direct from Neverland, the boy who never grew up – Peter Pan.
    displayed an early talent for both dance and piano studying ballet with Auckland teacher Kathleen Whitford In 1950 he was awarded a New Zealand Government Bursary to travel to Europe and danced first with the Jose Greco Spanish Company before Sadler s Wells now Royal Ballet He also performed with Ballet Rambert and London s Festival Ballet before returning to New Zealand in 1957 Turning to choreography he also held many key positions including Director of the Nettleton Edwards Kerr School of Ballet 1959 61 Artistic Director of the Royal New Zealand Ballet 1962 69 Director of the New Zealand Dance Centre 1969 77 Director of the Southern Ballet Theatre 1978 1990 Vice Patron of the Auckland Dance Company Patron of the International Ballet Academy and a Trustee of the Christchurch Dance Education Bursary Trust Additionally Kerr was awarded a QEII Arts Council Fellowship in 1977 a Queen s Service Medal for Services to Ballet in 1986 and in 2000 was appointed an Officer of the New Zealand Order of Merit Across his career he has choreographed 72 ballets including Swan Lake Peter Pan and A Christmas Carol He is known for his ability to convey drama and poetry through his choreography Raewyn White New Zealand Herald PHILIP NORMAN From organs to orchestras car horns to choirs ballads to ballet Philip Norman s experience as a composer spans the breadth of the performing arts Based in Christchurch and one of a handful of New Zealand composers in full time practice he has had works commissioned or performed by most of the leading music theatre and ballet companies in New Zealand His works include the stage musical Footrot Flats which since its successful Australian premiere in Perth thirty years ago has enjoyed performances throughout Australia Another musical Love Off the Shelf continues to be performed in Australia England and New Zealand He has enjoyed a particularly fruitful partnership with choreographer Russell Kerr collaborating on five ballets including an electronic score for A Christmas Carol which was subsequently converted into an opera and then back again into a ballet with orchestral score for the Royal New Zealand Ballet Peter Pan was a commission from the Royal New Zealand Ballet at the instigation of then Artistic Director Matz Skoog since 1999 Recent compositions by Philip include settings of poems and stories by New Zealand author and friend Margaret Mahy who died in 2012 These settings were brought together in a memorial concert for orchestra singers and narrator conducted coincidentally by Kenneth Young Philip Norman is also an award winning author and holds a PhD in musicology He is currently the holder of the inaugural Lilburn Research Fellowship at the National Library of New Zealand working towards completing a book on the history of New Zealand composition KRISTIAN FREDRIKSON Kristian Fredrikson was a New Zealand born Australian journalist and newspaper critic who turned to art in the 1960 s and designed sets and costumes for theatre opera dance film and television He studied design

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  • West Australian Ballet | Surprise promotions for two WAB dancers at Onegin closing night.
    man as impressive and called him a thoughtful intuitive partner who showed good control and elegance in the solo Margaret Mercer Widdison Jacobs who was born in Western Australia danced in several European companies after completing her training at Australian Ballet School Joining the company for The Sleeping Beauty in 2010 she was also cast in the major role of Miss Drosselmeyer in 2012 s The Nutcracker and described as stunning for her recent role in La Sylphide The Australian The promotion of Lehmann and Widdison Jacobs now gives West Australian Ballet a troupe of six Leading Artists joining Jayne Smeulders Sergey Pevnev Fiona Evans and newcomer Jiri Jelinek For further information please contact Rosita Stangl Publicist West Australian Ballet Ph 9367 8884 or Email rositapr iinet net au FURTHER INFORMATION MATTHEW LEHMANN Born in Melbourne Matthew graduated from The Australian Ballet School in 2004 and then joined Alberta Ballet in 2005 During his time in Canada his favourite roles were Tybault in Jean Grande Maítre s Romeo and Juliet Valmont in Jean Grande Maítre s Dangerous Liaisons and Yukichi Hattori s Tubular Bells Matthew first danced with West Australian Ballet during Simon Dow s Dangerous Liaisons and joined the company once again for the Gala season in 2010 His career highlight prior to Onegin was dancing Petruchio in The Taming of the Shrew BROOKE WIDDISON JACOBS Born in Narrogin WA Brooke began her training at the West Australian Conservatoire of Classical Ballet in Perth before moving to Melbourne to train at the Christine Walsh Dance Centre and the Australian Ballet School After graduating from the ABS Brooke worked with the English National Ballet Leipziger Ballett Royal Ballet of Flanders and Zuricher Ballet where she was promoted to soloist in 2008 Her career highlights include dancing the Lilac Fairy in

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  • Products | WA Ballet
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  • Checkout | WA Ballet
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  • CLOTHING | Product Categories | WA Ballet
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  • Signed Ballet Shoes (new) | WA Ballet
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